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The Tattoosday Book Review - London Tattoos

 

Let's eliminate the suspense - London Tattoos is a lovely book, and one of the best tattoo titles I have seen in recent years. I recommend it highly and strongly encourage Tattoosday readers to check it out.

The book is beautifully photographed by Alex MacNaughton. The concept is simple: each subject stands in a full shot at the beginning of their section. There is a paragraph or two composed by the host, describing, in various degrees of detail, their tattoo journeys. A list of tattooist credits follow as footnotes, and then we are treated to several more (at the very least) more detailed shots of the body sections featuring the person's ink.

There is a fine distinction here, that between a close-up of a tattoo, and a close-up of the tapestry on which the tattoo is marked. Its a fine line of art that McNaughton executes brillianty. We catch glimpses of work, we see sections in great detail, but we are rarely confronted by an image that is a sterile full-frame of tattoo.

I just love the way that this photo narrative unfolds. Especially remarkable are the subjects who appear mostly, if not fully, covered. A turn of the page strips layers off of the individuals and we are treated to the artistic treasures that lie beneath. It dazzles the imagination, the unveiling of a person who appears uninked, only to reveal a breath-taking display of coverage that illuminates that this person spent hours upon hours under the needle.

It is brilliantly executed and I recommend it fully, all 304 pages with 700 color illustrations. Alex MacNaughton is also the author of London Street Art, London Street Art 2 and London Street Art Anthology. I encourage Tattoosday readers to buy London Tattoos - the holidays are just around the corner - and, at the very least, visit MacNaughton's website here to get a bigger taste of the work inside this wonderful book.

This entry is ©2011 Tattoosday. Photographs are ©2011 Alex MacNaughton.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Lauren and the Terrible, Horrible, No Good, Very Bad Tattoo

Today's tattoo is perfect for a Monday.

Last month in Penn Station, I met Lauren, who had a familiar-looking face on her upper right arm:

I couldn't quite put my finger on why I recognized the art, until she clarified for me that it was based on an illustration from a wonderful children's book by Judith Viorst called Alexander and the Terrible, Horrible, No Good, Very Bad Day.

 

The phrase in the banner, "Some days are like that," is a line from the story.

When I asked Lauren why she got this tattoo, she elaborated:

"I have a very good friend who has If You're Afraid of the Dark, Remember the Night Rainbow on his arm and I was like, 'Ah, children's book! Great idea!' So I went to my mom and said, 'What was my favorite children's book?' and she's like, 'Well, Alexander or The Lupine Lady [from Miss Rumphius].' And I thought 'I don't want pastel colors. I want black and grey and I liked the artwork much better.' So I went with this."

This was Lauren's first tattoo and it was inked by Christian Beckman at Saints and Sinners in Baltimore. He modified Alexander's shirt, adding the skull, but it's still certifiably Alexander.

Thanks to Lauren for sharing this awesome tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Ryan's Religious Verse

I met Ryan at the end of September outside of Madison Square Garden, approaching him to ask about this tattoo on his upper right arm:

 

He explained that Philippians 4:13 was his confirmation verse. He added, "I went with the hands and everything because I already have a cross on my back."

Philippians 4:13 reads "I can do all things in him that strengtheneth me." (American Standard Version)

The chain in the hands connects to this part of the tattoo on the bicep:

Ryan commented that "I put only God can judge me because I've been going through some legal difficulties." It's a reminder that, when all is said and done, the ultimate judge is, in the belief of many, above and beyond the world in which we live.

Ryan credits Joe Bawden from Skin Alternative in Hillside, New Jersey, with this tattoo.

Thanks to Ryan for sharing his ink with us here on Tattoosday!

An Epipleptic Bicycle

Being as it is still Halloween week, perhaps a little Edward Gorey is appropriate?

This tattoo was shared by Megan, when I spotted her in Penn Station at the beginning of October:

Clicking on the Gorey tag at the bottom of the post will confirm what you may have already expected - the work of Edward Gorey is quite popular as body art.

This piece is one of six tattoos Megan has, and is based on Gorey's book The Epipleptic Bicycle. That's Embley and Yewbert, hitting each other with mallets. She told me she got this because "I love Edward Gorey and it's one of my favorite books and this is the opening sequence."

This was inked by Fatty at Fatty's Custom Tattooz in Washington, D.C.

In researching I stumbled upon this story, of a woman with a similar tattoo.

Thanks to Megan for sharing her Gorey tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Repost: Michael's Mariachis

Well, it has been a repost sort of week, and as it is All Soul's Day, a.k.a. The Day of the Dead, this only seemed fitting. It's from my college friend, Michael, and it appeared here originally on December 30, 2008. Enjoy!


In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....



The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.



And now, for some color:




Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".



And the angel at the top of the piece (and the top of the post)?


Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

Thanks again to Michael for sharing this amazing tattoo with us here on Tattoosday - twice!

This entry is ©2008, 2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.